忽如其来的火山云遮蔽了天空,所有的航班被迫停飞。短暂的驻留让搭乘同一架航班的语言不同的陌 生人走到了一起,发生了短暂的感情……
24岁的克里斯汀、17岁的埃里克斯,两个人过着毫无交集的生活,其中一人会将他的女友杀害后分尸。到底会是谁?这场冷血谋杀背后的动机是什么?双线结构,镜头对准两个完全平行无交集的生命体,他们面对苦闷的现实却做出了截然不同的选择。
影片在舒缓的节奏下呈现了一位女性重塑自我之路,故事主人公安娜为她十几岁时犯下的谋杀罪已经服刑15年,虽然服刑期满,但周围异样的眼神意味着 对她的审判仍未结束。安娜离家远行来到一个小镇并找到工作,准备开启新生活,但她仍需与封闭、恐惧、偏见不停斗争,那些旧日时光留下的黑洞,必须由她亲自填补。
Ranti, a mother and a very loyal wife. Ranti has a daughter she loves very much, Nina. Nina has been disabled since birth. One day, Nina has a fatal accident that requires immediate treatment.
Michael Powell teamed with actor James Mason (who also co-produced) to make a film loosely based on the life of controversial Australian artist Norman Lindsay. Age Of Consent stars Mason as a jaded painter who heads Down Under looking for a way to revitalize his creative soul. His self-imposed exile is interrupted by Cora, an uninhibited young woman on her own journey of self-discovery. The Age of Consent (1969), is Powell's final film, centers on James Mason as a disenchanted painter who finds a new muse in a tropical island model (a radiant and sensual, often nude Helen Mirren, in her first movie role).
Jade是一个被硫酸烧伤的年轻妈妈——她的脸在完成了重建手术之后还是留下了难以消除的疤痕,经历了内心的崩溃和人际关系的破裂后,她采取了比较极端的方式试图挽回曾经正常的生活。
This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
林恩(薇姬·克里普斯 Vicky Krieps 饰)在一家酒店从事着清洁工的工作,她非常热爱这份职业,并且对自己有着极高的要求。无论是浴室还是客房,是地板上的一道缝隙还是漱口杯里的一把牙刷,林恩都能够将它们变得焕然一新,当然,在这背后,隐藏着她小小的私欲——林恩有一个奇怪的嗜好,喜欢通过房间里种种的蛛丝马迹,来猜测居住在这间房间里的客人的种种,这种对于未知的幻想总是能够让林恩感到非常的刺激。 一天,林恩故技重施,躲进了某件客房的床底下,希望能够窥探到更多的私隐,哪知道住在这间房里的,是名叫奇亚拉(莉娜·莱西米兹 Lena Lauzemis 饰)的妓女,奇亚拉那充满神秘的性技巧为林恩打开了新世界的大门。
1929年美国的爱德格教授因想了解性的奥秘,于是藉由金援着手进行科学研究,一群男性进行相当前卫的性讨论,另外有两位女性做速记。他严禁大家调情、开玩笑,一切都是严肃且科学的,但最后仍无法控制大家体内荷尔蒙的作用,于是情绪被搅动了,性爱的温度也升高了,很快地,行动取代了空谈,情势逆转,他也成为自己实验的主体,灵与欲的探索是否就此得到结论?
莱拉(杰拉·哈斯 Jella Haase 饰)是一位19岁的少女,性格敏感而又内向的她在长辈们的眼里稍稍的有些叛逆。一天,当莱拉在医院里于昏迷中醒来时,发现自己被强暴了。着天降巨灾让莱拉的精神陷入了崩溃的境地。为了治疗自己心理上的创伤,莱拉主动申请进入了精神病院,在那里,她结识了52岁的安和35岁的弗兰雅。 三个住在同一件病房里的女人们之间很快就建立起了友谊。安是一个拒绝固定关系的女人,而弗兰雅则艰难的独自抚养着年幼的小女儿。在精神病院里,莱拉见识到了各种人情冷暖世态炎凉,外界社会让莱拉感到失望,而在这里,她反而找到了归属感。
A rich woman, Raffaella, and some friends rent a yacht to sail the Mediterranean Sea during summer. The sailor, Gennarino, who is a communist, does not like this woman but has to bear with her bad mood. One day she wakes up late in the afternoon and asks to be taken to land where everyone had gone earlier. Gennarino sets up a boat but during the trip, the boat breaks down. They spend the night in the middle of the sea.
一家秘密的苏联研究所结合了科学和神秘实验,旨在创造理想的人。 该研究涉及所有员工:特权量子物理学家,克格勃官员,厨房员工边缘人员和政治上激进的测试对象。 研究所的居民发现自己身处深处的生存危机中,被逼向悲惨和暴力的结局。
十三歲該是天真爛漫的年紀,然而她卻跟著毒蟲老爸和酒鬼老媽四處流浪,初長的胸部、初萌的暗戀,她只想找到一個可以停駐的家,早熟的雙眼宛如未琢磨的鑽石,依舊蘊含光芒。攝影機自然貼近女孩的渴望與寂寞,走入底層生活的核心,媲美肯洛區《甜蜜十六歲》的溫柔觀照,令人心折。《愛無止盡》性格男星畢羅尤雷也有精彩的演出。
那不勒斯,是充满着魔术与迷信、疯狂与理性的城市。验尸官阿迪安娜,邂逅英俊小生安德烈,干柴烈火,多年的禁忌,意大利人骨子里的风骚劲,一泻千里……两天后,出现在解剖台上的却是熟悉而又陌生的身形……
A Venetian musician at La Fenice theatre is affected by an incurable disease. By chance he meets his ex-wife who is now living with another man. She finally realizes that she is still in love with him.One of the most romantic films ever made and that still bears the pass of time despite some camera cliches of the 70's. Venice at its best is the setting for a poignant story of lovers parting for ever in a day's time. Sensitive and powerfully emotional, but never corny, with Musante and Bolkan as passional as you may wish lovers can be. A wonderful soundtrack and a beautiful cinematography help to make this film be a delight thirty-two years after it was made. Not to be missed.
青年男子海克特来到墨西哥城,希望度过两天的放纵周末。他与死党约好拍艺术裸照,结果却被死党放了鸽子。海克特独自鼓起勇气,辗转在不同的声色场所,对所有艳遇一概说Yes,在放浪形骸中迎来一波又一波的高潮...
罗拉雄心勃勃,追名逐利不容有失。身为管理顾问,她负责协助不同公司进行架构重组,可是她自己的人生,又如何重组?总是忙于工作、到不同城市出差、跟客户共晋晚餐、上健身室,事业型女性的亮丽外表下,是深深隐藏的秘密:姊姊罹患精神病,有自毁倾向及被害妄想。罗拉老是收到姊姊求助电话,井然有序的生活开始失控。玛莉克鲁泽把女强人故事混合心理悬疑及惊栗元素,揭示正常与失常的一线之隔。入选柏林影展竞赛单元。
捷克某小镇,一年一度的消防员舞会再次到来。今年的舞会有项特别的内容,患有癌症的老局长(Jan Vostrcil 饰)即将迎来86岁大寿,消防队里这群老同志们决定为局长办一个大型派对,并颁发一柄金斧以表彰他一生作出的贡献。 舞会内容倒也充实、抽奖、颁奖、聚餐、舞蹈,甚至还别出心裁安排了选美环节。可是事与愿违,这些环节却从没按计划进行。颁发的礼品不断被人偷走,年轻姑娘们也不愿抛投露面参加选美。场面混乱之际,一场大火也来凑凑热闹…… 本片为导演米洛斯•福曼离开捷克前最后的一部作品。