This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
在他酗酒的父亲去世后，乔纳森·布里奇从他兄弟的家里偷走了他父亲的骨灰。他开着一辆偷来的汽车飞驰向悬崖，想自杀，但他活了下来。在此之后，他要在精神病院接受三个月的治疗。在那里，他在Figure博士的监督下加入了一个自杀小组。他与精神不安的雷切尔·罗（她看到她的母亲死于车祸）和托比（在车祸中意外地杀死了他的兄弟）成为朋友。在治疗过程中，爱挖苦人的乔纳森改变了他的行为，看到了活着的重要性。
遭受气候变化破坏的后末世，社会的方方面面都受到严格控制。一对夫妇想要生孩子，一名女性评估员前来对他们进行为期7天的审查，确定是否合格，此事却演变成一场噩梦。
Walk With Me follows the emotional journey of a young mother who leaves her husband to find her footing in the world. As she finds her way, she stumbles into unexpected love with another woman.
小女孩皮胡爸妈前一天吵架,说了重话.皮胡爸爸第二天一早出去工作,而皮胡妈妈气不过,留下遗言吃安眠药自杀.小皮胡醒来后,在不知道妈妈已死的情况下,在一天时间内,经历了多次生死交关的时刻......
The seminal question of land and the displacement of Adivasi (Indigenous) Communities in India. All the governments that have ruled the nation made laws that denied the indigenous people their way of life and their land often, protecting crony capitalist interests. It revisits an episode of dissent in the 90s which brought up this question amongst us. A history forgotten.
一只迟到的足球，一个爱好广泛、啥都会捣鼓两下的乡村老师，一个见了足球头就大的老校长，一群精力过剩、自然疯长的草根娃娃，一场惊天动地的大地震，童年快乐刚刚绽放，便被悲怆湮没了，他们该如何走向未来……
茶花和采茶灯队演茶公的林水生相恋并怀孕，林水生参加红军走后，茶花生下女儿蝶儿，蝶儿也自小开始学跳采茶灯。 留洋归来的少爷陈瑜喜欢采茶灯，同时也爱上了茶花。为了躲避国民党兵的搜捕和土匪报复，他陪伴着茶花母女，在各地流离颠沛，不离不弃。红军攻城，林水生杀了伪县长（陈瑜大伯），后来林水生受伤，为了茶花，陈瑜请来医生救活了林水生。三年游击战期间，游击队长林水生受伤被捕，残暴的敌人将他的头颅挂在镇口示众。陈瑜设计用采茶灯表演引开敌人哨兵，抢回了林水生的头颅。 解放后，陈瑜和茶花一起，带着采茶灯队活跃在广大城乡。茶花百岁寿辰的喜庆日子里，万人采茶灯表演挑战世界吉尼斯成功。
在坐牢12年后，前高中橄榄球明星埃迪·帕尔默回到了家乡，开始全新的生活。他和来自一个麻烦家庭的弃儿山姆建立了一种意想不到的联系，但埃迪的过去威胁到他的新生活和家庭。
一名警探（基努里维斯饰）试图调查他的拍档死亡的真相。随着调查的深入，这件离奇的案件背后的秘密逐渐被揭开。一切都指向警局内部的腐败和一位貌似毫不相关的年轻女性。
剧情简介】舞蹈大赛后，霹雳舞风靡，从儿童到老年人，从家庭到街道，到处都是跳霹雳舞的人群。凯丽放弃了学业，和旋风、马达一起在社区活动中心教授霹雳舞。建筑商欲拆掉社区中心，青少年们将失去喜爱的活动场所。旋风、马达、凯丽积极奔走，筹集资金，挽救社区中心……
27岁的项小松进城打工，回家发现家乡人比他还富有，想娶的女孩也另投他人，心理落差很大，想致富的心理使之成为新一代跑山人。同龄的张来运是个都市彩票男，但从来没中过大奖，听说跑山可采到人参，随好友来长白山撞大运。还有年轻的猎豹车司机齐大森、城市白领钱多多、老一辈林场伐树劳模项爷爷，通过他们展现不同的跑山故事，也通过他们的经历反映新时代的变化……
该片由拉斯·克莱夫博格执导，讲述一个高中女生无意间发现了一台老式“拍立得”相机中隐藏的黑暗秘密：任何接触这台相机的人都会离奇死亡。
帕特森（亚当·德赖弗 Adam Driver 饰）居住在新泽西州帕特森市，这个和故乡有着相同名字的男人是一名巴士司机，和女友劳拉（歌什菲·法拉哈尼 Golshifteh Farahani 饰）以及一只牛头犬一起过着平淡的同居生活，每天开着巴士重复着相同的路线和波澜不惊的人生。帕特森喜欢写诗，他随身携带着一本笔记本，把脑海中跃动的诗句记录在本子上，但从来都没有想过将自己的诗句出版成册，他的唯一读者只有劳拉。 和帕特森截然相反，劳拉是一位天生的艺术家，每天脑袋里都闪现着五花八门的古怪念头，她在窗帘、墙壁甚至自己的衣服上画各种黑白图腾、学吉他、做美味的杯子蛋糕，乐观开朗的她全心全意的热爱着生活。终于，帕特森答应劳拉将自己的作品印刷成册，他的生活是否会因此发生改变呢？
工厂停工，张金生无处可去，他独自一人在工厂徘徊，一段古怪的声音把他引入另一个世界，那里时而漫天大雪，时而寂静荒凉，他看到了不同的自己。
由于妻子出轨，特德（安东尼•霍普金斯 Anthony Hopkins 饰）冷静地将她射杀了，他的完美杀人计划开始了。当警方接报前来现场时，警官罗布发现特德的妻子正是自己的情人珍妮佛。伤重但还没身亡的珍妮佛成了一具植物人，让人吃惊的是特德欣然承认了罪行。 年轻的公诉律师威 利（瑞恩•高斯林 Ryan Gosling 饰）觉得此案极容易获胜，希望凭借此案让自己进入经济庭和在女友面前威风一把。然而事件并没有这么简单，老奸巨猾的特德放弃使用辩护律师，由他自己亲自应诉。虽然每个人都知道特德犯了罪，但由于他在法庭上的“完美”表现和充分利用制度上的形式公平而合理合法地逃脱了法律的制裁！ 威利若想将犯人绳之以法，只有去抓住每一点的――破绽。